Interactive Digital Carnival Installation – a call to filmmakers, artists, poets, environmental activists

[ see the updated info on this project at www.metaceptive.net/chamada ]

Connecting with environmental activism and climate justice, to be created by artist Kooj Chuhan, ‘Chamada From Chico Mendes’ will be driven by an open call for contributions of video, images, poetry, sounds, and anything that could work with the theme.

ChamadaFromChicoMendes_v1crop_800x250To view the OPEN CALL – please click HERE .  DEADLINE EXTENDED: Please contact us by October 31st 2014 to express your interest.

The artist Kooj Chuhan (UK / India) is creating an interactive digital carnival installation connecting Brazilian environmentalist Chico Mendes with environmental justice issues across the world. It will be made from audio and visual material from many people and it will use interactive objects and projections that visitors can actually ‘play’ like percussion.

The digital art exhibition will take place February 28th – March 21st 2015 at a new Carnival Arts Centre in Manchester (UK), run by Global Grooves.  We then intend to tour this installation to different galleries, exhibition venues and also public places including at carnival events.

What is the installation about?

The exhibition’s starting point is the powerful story of Chico Mendes, who was a Brazilian rubber tapper, trade union leader and environmentalist committed to protecting the Amazon’s ecosystem. He had opposition from industrialists and corrupt government officials, was jailed, fined and threatened, and just over 25 years ago he was eventually murdered but has now become a national hero in Brazil. Continue reading

Buy This (v3) by Kooj Chuhan – video installation art archived by Vtape (Toronto)

The 2-screen installation ‘Buy This (v3)’ created with support from Virtual Migrants as part of their Centre Cannot Hold ongoing exploration of climate imperialism, was re-formatted as a single screen artists’ video and toured Canada as part of the Monitor 9 programme by SAVAC (South Asian Visual Arts Centre) in Toronto.  We now have this video installation art archived by Vtape, a non-profit distribution and resource centre in Toronto.  Vtape is the leading distributor for video art in Canada, established in 1980. They represent a collection of over 5000 titles, accessible to artists, curators and educators.

Buy This (v3) by Kooj Chuhan - video installation art archived by VtapeThe original ‘Buy This (v1) installation was more complex and interactive, exhibited at The Arnolfini in Bristol (2009) as a part of the ‘C Words’ exhibition about climate justice. This later non-interactive video-based version (v3) was premiered at the first Platforma Festival in December 2011 as a proper 2-screen installation followed by Manchester’s local Chorlton Arts Festival in 2012, and then in 2013 toured a few venues in Canada courtesy of South Asian Visual Arts Centre (Toronto) as part of Monitor 9 with the two screens compiled into a single screen for ease of exhibition, and then also at No.W.Here Gallery in London.

BuyThisV3_MG_7055_sAlthough this work has been screened as a single video stream, it is best viewed using two separate projectors as an installation because the intention is that the two screens loop at different rates so that the imagery juxtaposition continually changes.   Continue reading

Short film “No Trace” starring the late great Brian Morgan, now on YouTube

Brian’s very recent and terribly tragic death is a loss to so many of us, he was a remarkable man and actor – probably the best I have worked with.  I have now put the short film I directed, written by Peter Kalu and of course starring Brian Morgan, on to YouTube so its hopefully easier to find.  (Up until now its only been on Vimeo).  Here it is, hopefully a fitting tribute:

No Trace

A short drama film which explores the abuse and haunting of the city, the daily struggle to maintain a shred of integrity amidst the pathetic cycles of people who need to run away and cover their tracks as the only way they can gain some control over their future.

These cycles are a mirror for Darryl Johnson, a black low-life private detective forever haunted by his previous abuse when in the army. He is addicted to his job specialising in finding other people’s children who have run away from home to escape their own hidden and secretive problems that threaten to engulf them. These sordid cases overlap with his own past, in a city where he is always painfully aware of the back-street disposability of all the characters he engages with. But there’s this case about a girl called Emma that gets to him, just one case too many, or maybe he just can’t hide from himself any longer… Continue reading

Media Resources linking #Race with #ClimateChange #Migration and #Displacement

The following is intended to be a useful resource comprising videos of the various presentations from a fascinating and provocative workshop. It is for anyone interested in the connections between issues of race, migration and climate change, bearing in mind the academic context of the narratives and language used. This media resource was created and produced by Kooj (Kuljit) Chuhan / Metaceptive Media in association with Virtual Migrants artist collective.

On June 18th and 19th 2013 at Durham University (UK), a group of researchers, theorists and academics from universities across Europe came together to share critical studies and perspectives on the intersection between climate change, migration and race. The ‘workshop’ event was titled:

Race, alterity and affect: rethinking climate change-induced migration and displacement

Introduction to the Race, alterity and affect workshop:

This workshop was developed and convened by Andrew Baldwin, and included two very interesting (and ‘relatively’ accessible) keynote presentations from David Theo Goldberg and Uma Kothari respectively. The presentations generally involve language, concepts and jargon from academia and may be hard to understand for many of us, but what is being discussed is for the most part really worthwhile. Continue reading