Video art and documentary exhibition connects wars, colonialism and games, focusing on World War I. Launches 18th April.

The Poppy Retake video art installation connecting wars, colonialism, gamesTHE POPPY RETAKE is a new video art installation by Kooj Chuhan with an alternative take on World War I by connecting wars, colonialism, games with the involvement and impact on European Colonies.  Its going to premiere at the fantastic Z-arts centre gallery on Tues 18th April from 6pm, and will be on show there for nearly two weeks.  There are full details at www.metaceptive.net/poppy-retake including of the opening preview night.  Here is an introductory trailer for the work:

Essential details for The Poppy Retake:

at Z-Arts Gallery, 19-28 April 2017
335 Stretford Road Manchester M15 5ZA   0161 226 1912
Open daily 9am-9pm except Saturday 9am-5pm and Sunday closed

PREVIEW: Tues 18th April 6pm
Speakers: Susan Chieni, Kirit Patel and others / Poetry: Afshan D’Souza-Lodhi / Music: Serge Tebu & Emmanuela Yogolelo
FREE ENTRY but booking advised: www.poppyretakeshadows.eventbrite.co.uk

WORKSHOP + ARTIST’S TALK: Sat 22nd April 2pm – with Southern voices members, and the artist Kooj Chuhan
FREE ENTRY but booking advised: www.shadowspoppyworkshop.eventbrite.co.uk

Will wars ever end?  Was World War One’s ‘Lest We Forget’ a deluded slogan by Europeans  who endured enormous suffering yet ignored even greater calamities for their colonies?  Is war in fact the default future human addiction as global economics, culture and inequality spell more conflict forever?

The Poppy Retake is a new piece of video installation art by Kooj Chuhan which poses these questions.  The artist Kooj uses dramatic sequences of imagery that mix aspects of culture today and recent conflicts with world war one and the historical realities for people in previous colonies such as India, East Africa, The West Indies and Nigeria.

Who knows that the first and last shots of World War One were fired not in Europe, but in Africa?  Or that 1.5 million soldiers from India fought for the British?  The installation will be exhibited together with an extensive series of documentary history panels created by Southern Voices, titled ‘From the Shadows of War and Empire’.  In all this will present a unique exhibition taking an African and South Asian perspective on World War One and the role of the British colonies within it.

Art that can re-interpret, re-situate, connecting wars, colonialism, games

Kooj hopes to get people to shift from the usual and massive stereotypical icons of World War I and understand its part in the ongoing process that has got us where we are today, and how young people are influenced and co-opted into cynical acceptance of conflict yet remain oblivious to colonial histories and geopolitical power interests.  This war was fuelled by rivalry based much on competing colonial portfolios between European countries, and colonies were enormously affected in critical ways during and after the war.

However, Kooj is quick to point out that, “As an artist my job is not to stuff a load of history down people’s throats, but to draw out a human experience in simple and metaphoric ways that bring people closer to the underlying meanings and hidden agendas of the war.”

The Poppy Retake installation depicts a never ending loop which we can’t get out of, played through selected characters from today and from history especially the ww1 period focusing on narratives that have often been suppressed such as schoolteacher John MacLean from Scotland who was instrumental in the Clyde revolts during and after WWI, or Indian revolutionaries such as Kartar Singh Sarabha, or the many women from East Africa whose families died from a famine made worse by European demands for resources to support the war. Within the installation we encounter these people and events but we remain stuck in a continual loop of wars, colonialism, which appears to have no end, driven along by a background musical tempo which plays with ideas of nationalism, patriotism, dissidence, loss and war game videos.

Full details about The Poppy Retake and its connecting of wars, colonialism and games at www.metaceptive.net/poppy-retake

Historical Documentary Exhibition ‘From The Shadows Of War And Empire’ by Southern Voices

Alongside The Poppy Retake installation will be a set of educational panels titled ‘From The Shadows Of War And Empire’ created by Southern Voices about the issues around World War 1 from the perspective of the colonies.

2014 marked 100 years since the start of the World War One (WW1).  In a very real way, this was the first global conflict, with war between the European Empires drawing in well over 100 countries.

This project, supported by the Heritage Lottery Fund, examines the involvement of the British colonies (India, West Indies, Nigeria and East Africa) in WW1 and the impact the war had on those countries.  Southern Voices look at European imperialism, the devastating losses on the colonies’ own ‘home fronts’ and subsequent strengthening movements for self-rule and independence.

The impact and views of the people in the ‘colonised countries’ are either neglected or absent in commemorative events.  This exhibition provides a more balanced account of this global war than is commonly available or known and adds to the connecting of wars, colonialism and wider contexts.

Full details at www.southernvoices.org

Digital Art, Carnival, Environmental Activism and Documentary

‘CHAMADA FROM CHICO MENDES’

Digital Art meets Afro-Brazilian carnivalCHAMADA FROM CHICO MENDES combines Digital Art, Afro-Brazilian Carnival, Environmental Activism. Installation art by Kooj Chuhan.

Interactive Digital Carnival Installation by artist Kooj Chuhan, inspired by environmental activism stories from across the world – including Chico Mendes.
SPECIAL OPENING EVENTS SAT 28th FEB incl. Film Screening, discussion, Multimedia Music Performance, live Brazil link, interviews, poetry and free food! Full details: http://metaceptive.net/chamada/

at Global Grooves Centre until 21st March. 10 mins walk from Mossley station – just 20 mins train from Manchester, only £4 off-peak day return ticket! (MAP)

– 4pm: Film “TAKING ROOT: WANGARI MAATHAI” + discussion.

– 7pm: LIVE PERFORMANCE by Kooj/Holly/Leon, guided tour, poetry by Sai Murray, live link with Brazil environmentalists + Free Food!

FREE TICKETS at: https://chamada-from-chico-mendes.eventbrite.co.uk/

MORE DETAILS

A digital art work inspired by Brazilian activist Chico Mendes, made up of voices, imagery and sound from across the world. Visitors encounter a range of objects which they can play like instruments, which then spark off videos, music and poetry from guest artists, documentary filmmakers and environmental activists.  A pioneering attempt to combine Digital Art, Carnival, Environmental Activism and Documentary.

Wangari-Maathai-Taking-Root-Signature-image– 4pm-6pm: Film Screening “TAKING ROOT: THE VISION OF WANGARI MAATHAI” the activist who went on to become the first environmentalist and also the first African woman to win the Nobel Peace Prize (2004). Plus talk by Kooj exploring Climate Justice, incl. discussion chaired by poet-activist Sai Murray.

– 7pm: LIVE MULTIMEDIA – MUSIC PERFORMANCE, presented by poet Sai Murray plus guided tour of the installation and a live link with Brazilian environmentalists. Free food included!

– LIVE WEBCAST – if you can’t make the evening, watch the performance, interviews, Brazil link and Poetry online! Simply tune in from 7.30pm at:  http://metaceptive.net/chamada/live-webcast/

GG-drummingTHIS EVENT IS FREE, BUT ONLINE BOOKING IS STRONGLY ADVISED. REGISTER AT:
http://metaceptive.net/chamada/register-to-attend/

READ MORE ABOUT CHICO MENDES at http://metaceptive.net/chamada/chico-mendes/

GUEST ARTISTS: Kooj Chuhan invited artists and activists from across the world for media contributions to create a composite work from each person’s own parallel to Chico’s story, creating an ‘exhibition within an installation’ with Afro-Brazilian layers.
READ MORE ABOUT THE GUEST ARTISTS at http://metaceptive.net/chamada/guest-artists-and-activists/

Map for Global Grooves Arts Centre

Map for Global Grooves Arts Centre

Venue and Location: Global Grooves Arts Centre
Vale Mill, Micklehurst Road, Mossley, Ashton-under-Lyne OL5 9JL.
10 mins walk from Mossley train station.  Walk all the way up Micklehurst Road, find the mill via the last turning on the right before the end of the road.
Just 20 mins by train from Manchester Victoria station, costs only £4 for an off-peak day return ticket!

A project by Metaceptive Projects and Media in partnership with Global Grooves
www.metaceptive.net
www.globalgrooves.org

chamada-logoBannerOnWhite

Interactive Digital Carnival Installation – a call to filmmakers, artists, poets, environmental activists

[ see the updated info on this project at www.metaceptive.net/chamada ]

Connecting with environmental activism and climate justice, to be created by artist Kooj Chuhan, ‘Chamada From Chico Mendes’ will be driven by an open call for contributions of video, images, poetry, sounds, and anything that could work with the theme.

ChamadaFromChicoMendes_v1crop_800x250To view the OPEN CALL – please click HERE .  DEADLINE EXTENDED: Please contact us by October 31st 2014 to express your interest.

The artist Kooj Chuhan (UK / India) is creating an interactive digital carnival installation connecting Brazilian environmentalist Chico Mendes with environmental justice issues across the world. It will be made from audio and visual material from many people and it will use interactive objects and projections that visitors can actually ‘play’ like percussion.

The digital art exhibition will take place February 28th – March 21st 2015 at a new Carnival Arts Centre in Manchester (UK), run by Global Grooves.  We then intend to tour this installation to different galleries, exhibition venues and also public places including at carnival events.

What is the installation about?

The exhibition’s starting point is the powerful story of Chico Mendes, who was a Brazilian rubber tapper, trade union leader and environmentalist committed to protecting the Amazon’s ecosystem. He had opposition from industrialists and corrupt government officials, was jailed, fined and threatened, and just over 25 years ago he was eventually murdered but has now become a national hero in Brazil.

There is so much around us to do with our environment, how we consume things, how people try and change things, and how big businesses get in the way. Chico’s story is universal, so the installation wants to show material from different people about other ways that these kinds of things happen in different parts of the world. We are especially interested in indigenous rights and issues for poorer communities.  The exhibition will be called “Chamada From Chico Mendes” (“Chamada” means “a call to all” in Portuguese).

This is a video art project that links carnival vibes with environmental campaigns, driven by people and groups from different places.  Read more about Chico Mendes: www.theguardian.com/world/2013/dec/20/brazil-salutes-chico-mendes-25-years-after-murder .

There will be posts about this work on the blog as the project develops, and there is an Open Call to any Film-makers or Video Artists, or anyone with images or footage to contribute, at www.metaceptive.net/chamada-open-call .  The way to contact us about the project if you are interested to get involved is via the form at www.metaceptive.net/chamada-contact .

There is also a special invitation to members of the Future Leaders carnival arts training programme by Global Grooves, who can use the same contact form above.

A project by Kooj Chuhan & Metaceptive in partnership with Global Grooves, with support from Arts Council of England and Youth Music.

ACE logo    Youth_Music_logo
global-grooves-logo_withMargin       metaceptiveLogo14p+m_2li_print_s

“Nana Bonsu” Oral History – new website by Kooj / Metaceptive Media now live

NanaBonsuWebsiteHomePageKooj at Metaceptive Media was commissioned by First Cut to design and build the website for the HLF-funded ‘Nana Bonsu Oral History Project‘, which he has been working on for over 6 months beginning with a short training course he delivered in autumn 2013.  Finally, the website has now gone live and will be officially launched at a vibrant event at Manchester’s Z-Arts on Saturday 21st June 2014.

Nana Bonsu, also known as Beresford ‘Berry’ Edwards, was of huge importance to Britain’s African community, especially in Manchester which became his home. This oral history project highlights his role in initiatives such as the Campaign Against Racial Discrimination, trade unions, social justice and equal opportunities. Nana’s work, committment and contribution is now nationally recognised by his inclusion in the list of 100 Great Black Britons.

Full details about the project and the event this Saturday are available from the website itself (of course!), at www.nanabonsu.com – please leave some comments on the site if you visit it, or send Kooj a message if you like.

Short film “No Trace” starring the late great Brian Morgan, now on YouTube

Brian’s very recent and terribly tragic death is a loss to so many of us, he was a remarkable man and actor – probably the best I have worked with.  I have now put the short film I directed, written by Peter Kalu and of course starring Brian Morgan, on to YouTube so its hopefully easier to find.  (Up until now its only been on Vimeo).  Here it is, hopefully a fitting tribute:

No Trace

A short drama film which explores the abuse and haunting of the city, the daily struggle to maintain a shred of integrity amidst the pathetic cycles of people who need to run away and cover their tracks as the only way they can gain some control over their future.

These cycles are a mirror for Darryl Johnson, a black low-life private detective forever haunted by his previous abuse when in the army. He is addicted to his job specialising in finding other people’s children who have run away from home to escape their own hidden and secretive problems that threaten to engulf them. These sordid cases overlap with his own past, in a city where he is always painfully aware of the back-street disposability of all the characters he engages with. But there’s this case about a girl called Emma that gets to him, just one case too many, or maybe he just can’t hide from himself any longer…

Using an intelligent and driving narrative, “No Trace” explores issues around homelessness and pressures of the city with sensitivity and character.

Directed by Kooj (Kuljit) Chuhan        Written by Peter Kalu
Produced by Kuljit ‘Kooj’ Chuhan & Linda Clarke
Camera – Stephen Wong        Assistant Director – Mario Posada
Editing, Post-Production and Sound Design  by Kooj Chuhan
Art Direction –  Kooj Chuhan, Peter Kalu & Linda Clarke
Director of Photography and script-editing – Kooj Chuhan
Sound recording/boom – Simon Allott & Heather James
Make Up – Cindy & Chelcey Huxley        Runner – David Beaumont

Darryl – Brian Morgan
Emma – Shauna Jackson
Jenny’s boyfriend – Karl Seth
Emma’s Dad –  Raymond Dow
Jack – Anthony MacIntosh
Jenny – Karen Howarth
Emma’s Friend – Kimberley Glover
Street Guys – Chris Johnson & Jon Cockroft

© 2007, Metaceptive Media / Kuljit Chuhan

a Metaceptive Media production
in association with Living Colour productions

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