‘The Poppy Retake’ video art installation by Kuljit ‘Kooj’ Chuhan is the focus for a new short film about the upcoming Manchester World War I exhibition titled World War I’s Hidden Voices which launches on Weds 6th December 2017 at the amazing Central Library building in the heart of Manchester.
‘The Poppy Retake’ is partnering with the extensive ‘From The Shadows Of War And Empire’ set of educational graphic panels by Southern Voices to create the exhibition, which runs from 7th December 2017 – 24th February 2018. Key details below: Continue reading →
At the exhibition launch of World War I’s Hidden Voices (6th December – CLICK HERE TO REGISTER) the Manchester actress Rani Moorthy will perform a dramatised reading of a powerful poem reflecting on the effects of the First World War from an Indian and colonised country perspective. She will be accompanied by musician Jaydev Mistry and also VJ projections by Kuljit ‘Kooj’ Chuhan. The poem is by Sarojini Naidu and is titled The Gift Of India, written in 1915 while the war was ravaging.
The exhibition features The Poppy Retake art installation by Kooj Chuhan, the launch event will be on Weds 6th December from 5.30pm and the performance and speakers begin at 6.30pm. More information at www.metaceptive.net/poppy-retake . The event is free but registration is strongly advised at www.hiddenvoicesww1.eventbrite.co.uk . #poppyretake
About Sarojini Naidu
Sarojini Naidu was a distinguished poet, renowned freedom fighter and one of the great orators of her time. She was famously known as Bharatiya Kokila (The Nightingale of India) and was a prolific poet with over three books of published poems, highly praised by Rabindranath Tagore. Sarojini Naidu was the first Indian woman to become the President of the Indian National Congress and the first woman to become the governor of a state in India. Continue reading →
India, Africa, the West Indies, colonialism and recruitment, impacts of war and our ongoing culture of war explored in two parallel exhibitions under the title World War One’s Hidden Voices
The Poppy Retake (v3) by Kooj Chuhan // From the Shadows of War and Empire by Southern Voices // #poppyretake
On show 7th December 2017 – 24th February 2018 at Manchester Central Library (First Floor), St Peter’s Square, Manchester M2 5PD, UK // Opening times 9am-8pm Mon-Thurs and 9am-5pm Fri-Sat (Sunday closed) Tel. +44 (0)161 234 1983
OPENING NIGHT – 6th December 2017 5.30pm-7.30pm including speakers Ahmed El-Hassan (Southern Voices) and Colette Williams (Mbari), plus live performance from Jaydev Mistry (music), Rani Moorthy (dramatised readings) and Kuljit ‘Kooj’ Chuhan (VJ projection) // First Floor exhibition from 5.30pm, then speakers and performance from 6.30pm on Ground Floor Booking for this free event is strongly advised: www.hiddenvoicesww1.eventbrite.co.uk
MINI-CONFERENCE – 10th February 2018
thought-provoking talks, workshops, films and discussion for World War One’s Hidden Voices– full details to be announced www.metaceptive.net/poppy-retake
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THE POPPY RETAKE (v3)
…colonial narratives, spirits from the dead and video war games…
video art installation by Kooj (Kuljit Singh Chuhan) – new version
Modern war propaganda began with World War I which obscured its pointlessness and deep colonial connections, while pretending to be the ‘war to end all wars’. This artwork explores coercion into war, involving an African woman working for a war-themed park. She finds herself caught between colonial narratives, spirits from the dead and video war games.
Since the end of WWI we have seen numerous wars with the majority in regions once colonised. Modern video gaming is now the epitome of obscuring both the horror and the colonial roots of much conflict. The Poppy Retake suggests our multiple connections with wars as forms of cultural recruitment but which impact mostly on people from ex-colonies. It extends the perspectives developed in the documentary exhibition ‘From The Shadows Of War and Empire’.
Few know about how European powers brought colonies into World War I, took resources from these countries and took the war to ‘fronts’ outside Europe. An exhibition which finally tells this major part of the story from the colonies’ point of view. We focus on India, the West Indies, German and British East Africa, and Nigeria – the British Colonies.
Did you know that the first and last shots of World War One by ‘British’ forces were fired not in Europe, but in Africa? Or that 1.5 million soldiers from India fought for the British? The exhibition examines the impact of 1914-18 on these selected colonised countries from the viewpoint of the colonised peoples themselves – their situation as colonies, the impact of the war on them and on anti-colonial struggles. Accompanied by ‘The Poppy Retake’ art installation by Kooj Chuhan, this exhibition gives us incredible context and information about World War One’s Hidden Voices.
A new video art installation The Poppy Retake at Z-arts Centre launched on 18th April to a diverse and appreciative crowd. The main projection screen follows the story of an African woman (performed by Tracey Zengeni) working in a woodland park devoted to the theme of war. Subtle clues suggest she herself has a refugee background.
Objects from World War I draw her into an alternate reality of video games which she can’t control and which mix between playable wars and real wars. Through a magical mirror, she meets her own spiritual alter-ego who tells her to escape before it’s too late, and also an elderly Sikh spirit who tells of the realities of World War 1 from an Indian perspective. More about The Poppy Retake at www.metaceptive.net/poppy-retake .
A powerful accompanying set of graphic documentary panels were exhibited by Southern Voices, titled ‘From The Shadows Of War And Empire’. They narrated the story of the contribution by and impact on the colonies from World War I. More about this project at www.southernvoices.org/sv-proj .
There were thoughtful speeches by Southern Voices’ WWI project coordinator Kirit Patel, community researcher Washington Alcott, artist Kooj Chuhan, and a tribute to the late Deyika Nzeribe by his brother Ikem. There was poetry performed by Afshan D’souza-Lodhi, and finally a fantastic musical set by Serge Tebu (Keyboard) and Emmanuela Yogolelo (vocal) along with backing on bass and drums by Joe and Ephraim.
Words and poetry within The Poppy Retake at Z-arts
During the dramatic video sequence within The Poppy Retake at Z-arts Centre there are the words of soldiers from India and the West Indies during World War I taken from letters they had written, which are a part of drawing the main character into the war loop. At the launch event, one particularly strong and relevant poem which was read by Afshan is as follows:
The Gift of India by Sarojini Naidu (India, 1915)
Is there ought you need that my hands withhold, Rich gifts of raiment or grain or gold? Lo! I have flung to the East and the West Priceless treasures torn from my breast, And yielded the sons of my stricken womb To the drum-beats of the duty, the sabers of doom. Gathered like pearls in their alien graves Silent they sleep by the Persian waves, Scattered like shells on Egyptian sands, They lie with pale brows and brave, broken hands, they are strewn like blossoms mown down by chance On the blood-brown meadows of Flanders and France Can ye measure the grief of the tears I weep Or compass the woe of the watch I keep? Or the pride that thrills thro’ my heart’s despair And the hope that comforts the anguish of prayer? And the far sad glorious vision I see Of the torn red banners of victory? when the terror and the tumult of hate shall cease And life be refashioned on anvils of peace, And your love shall offer memorial thanks To the comrades who fought on the dauntless ranks, And you honour the deeds of the dauntless ones, Remember the blood of my martyred sons!
New version to be developed
This is the first showing of The Poppy retake at Z-arts, it will be expanded and developed further into a new version to be shown at Manchester’s Central Library for three months from December 2017 to February 2018.
The evening was dedicated firstly to Deyika Nzeribe and Jaya Graves, both of whom were members of Southern Voices and who died within the last year www.southernvoices.org . Secondly Kooj dedicated The Poppy Retake at Z-arts to his son Naseeb Chuhan whose conscious attitude and cultural interests influenced the video art installation, who used to work at Z-arts, and who also died within the last year www.naseebchuhan.wordpress.com . A big thanks to all who were involved and helped out, a list of credits is at www.metaceptive.net/poppy-retake .
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THE POPPY RETAKE is a new video art installation by Kooj Chuhan with an alternative take on World War I by connecting colonialism and computer games with a systematic war culture. The installation references the involvement of and impact on European Colonies by World War I and was supported by the experiences of the actor, Tracey Zengeni, herself having sought refuge in the UK. Its going to premiere at the fantastic Z-arts centre gallery on Tues 18th April from 6pm, and will be on show there for nearly two weeks. There are full details at www.metaceptive.net/poppy-retake including of the opening preview night. Here is an introductory trailer for the work:
Essential details for The Poppy Retake:
at Z-Arts Gallery, 19-28 April 2017
335 Stretford Road Manchester M15 5ZA 0161 226 1912
Open daily 9am-9pm except Saturday 9am-5pm and Sunday closed
PREVIEW: Tues 18th April 6pm
Speakers: Susan Chieni, Kirit Patel and others / Poetry: Afshan D’Souza-Lodhi / Music: Serge Tebu & Emmanuela Yogolelo
FREE ENTRY but booking advised: www.poppyretakeshadows.eventbrite.co.uk
Will wars ever end? Was World War One’s ‘Lest We Forget’ a deluded slogan by Europeans who endured enormous suffering yet ignored even greater calamities for their colonies? Is war in fact the default future human addiction as global economics, culture and inequality spell more conflict forever?
The Poppy Retake is a new piece of video installation art by Kooj Chuhan which poses these questions. The artist Kooj uses dramatic sequences of imagery that mix aspects of culture today, recent conflicts and refugees with world war one and the historical realities for people in previous colonies such as India, East Africa, The West Indies and Nigeria.
Who knows that the first and last shots of World War One were fired not in Europe, but in Africa? Or that 1.5 million soldiers from India fought for the British? The installation will be exhibited together with an extensive series of documentary history panels created by Southern Voices, titled ‘From the Shadows of War and Empire’. In all this will present a unique exhibition taking an African and South Asian perspective on World War One and the role of the British colonies within it.
Art that can re-interpret, re-situate, connecting wars, colonialism, games
Kooj hopes to get people to shift from the usual and massive stereotypical icons of World War I and understand its part in the ongoing process that has got us where we are today, and how young people are influenced and co-opted into cynical acceptance of conflict yet remain oblivious to colonial histories and geopolitical power interests. This war was fuelled by rivalry based much on competing colonial portfolios between European countries, and colonies were enormously affected in critical ways during and after the war.
However, Kooj is quick to point out that, “As an artist my job is not to stuff a load of history down people’s throats, but to draw out a human experience in simple and metaphoric ways that bring people closer to the underlying meanings and hidden agendas of the war.”
The Poppy Retake installation depicts a never ending loop which we can’t get out of, played out through a current character with a refugee connection from today. The work is inspired by resistance to wars and colonialism in history especially the WWI period focusing on narratives that have often been suppressed such as schoolteacher John MacLean from Scotland who was instrumental in the Clyde revolts during and after WWI, or Indian revolutionaries such as Kartar Singh Sarabha, or the many women from East Africa whose families died from a famine made worse by European demands for resources to support the war. Within the installation we encounter hints of these people and events but we remain stuck in a continual loop of wars, games and colonialism which appears to have no end, driven along by a background tempo and video loops which play with ideas of nationalism, patriotism, dissidence, loss and war game videos.
Historical Documentary Exhibition ‘From The Shadows Of War And Empire’ by Southern Voices
Alongside The Poppy Retake installation will be a set of educational panels titled ‘From The Shadows Of War And Empire’ created by Southern Voices about the issues around World War 1 from the perspective of the colonies.
2014 marked 100 years since the start of the World War One (WW1). In a very real way, this was the first global conflict, with war between the European Empires drawing in well over 100 countries.
This project, supported by the Heritage Lottery Fund, examines the involvement of the British colonies (India, West Indies, Nigeria and East Africa) in WW1 and the impact the war had on those countries. Southern Voices look at European imperialism, the devastating losses on the colonies’ own ‘home fronts’ and subsequent strengthening movements for self-rule and independence.
The impact and views of the people in the ‘colonised countries’ are either neglected or absent in commemorative events. This exhibition provides a more balanced account of this global war than is commonly available or known and adds to the connecting of wars, colonialism and wider contexts.
Interactive Digital Carnival Installation by artist Kooj Chuhan, inspired by environmental activism stories from across the world – including Chico Mendes. SPECIAL OPENING EVENTS SAT 28th FEB incl. Film Screening, discussion, Multimedia Music Performance, live Brazil link, interviews, poetry and free food! Full details: http://metaceptive.net/chamada/
at Global Grooves Centre until 21st March. 10 mins walk from Mossley station – just 20 mins train from Manchester, only £4 off-peak day return ticket! (MAP)
– 4pm: Film “TAKING ROOT: WANGARI MAATHAI” + discussion.
– 7pm: LIVE PERFORMANCE by Kooj/Holly/Leon, guided tour, poetry by Sai Murray, live link with Brazil environmentalists + Free Food!
A digital art work inspired by Brazilian activist Chico Mendes, made up of voices, imagery and sound from across the world. Visitors encounter a range of objects which they can play like instruments, which then spark off videos, music and poetry from guest artists, documentary filmmakers and environmental activists. A pioneering attempt to combine Digital Art, Carnival, Environmental Activism and Documentary.
– 4pm-6pm: Film Screening “TAKING ROOT: THE VISION OF WANGARI MAATHAI” the activist who went on to become the first environmentalist and also the first African woman to win the Nobel Peace Prize (2004). Plus talk by Kooj exploring Climate Justice, incl. discussion chaired by poet-activist Sai Murray.
– 7pm: LIVE MULTIMEDIA – MUSIC PERFORMANCE, presented by poet Sai Murray plus guided tour of the installation and a live link with Brazilian environmentalists. Free food included!
GUEST ARTISTS: Kooj Chuhan invited artists and activists from across the world for media contributions to create a composite work from each person’s own parallel to Chico’s story, creating an ‘exhibition within an installation’ with Afro-Brazilian layers. READ MORE ABOUT THE GUEST ARTISTS at http://metaceptive.net/chamada/guest-artists-and-activists/
Map for Global Grooves Arts Centre
Venue and Location: Global Grooves Arts Centre Vale Mill, Micklehurst Road, Mossley, Ashton-under-Lyne OL5 9JL.
10 mins walk from Mossley train station. Walk all the way up Micklehurst Road, find the mill via the last turning on the right before the end of the road.
Just 20 mins by train from Manchester Victoria station, costs only £4 for an off-peak day return ticket!
Connecting with environmental activism and climate justice, to be created by artist Kooj Chuhan, ‘Chamada From Chico Mendes’ will be driven by an open call for contributions of video, images, poetry, sounds, and anything that could work with the theme.
To view the OPEN CALL – please click HERE .DEADLINE EXTENDED: Please contact us by October 31st 2014 to express your interest.
The artist Kooj Chuhan (UK / India) is creating an interactive digital carnival installation connecting Brazilian environmentalist Chico Mendes with environmental justice issues across the world. It will be made from audio and visual material from many people and it will use interactive objects and projections that visitors can actually ‘play’ like percussion.
The digital art exhibition will take place February 28th – March 21st 2015 at a new Carnival Arts Centre in Manchester (UK), run by Global Grooves. We then intend to tour this installation to different galleries, exhibition venues and also public places including at carnival events.
What is the installation about?
The exhibition’s starting point is the powerful story of Chico Mendes, who was a Brazilian rubber tapper, trade union leader and environmentalist committed to protecting the Amazon’s ecosystem. He had opposition from industrialists and corrupt government officials, was jailed, fined and threatened, and just over 25 years ago he was eventually murdered but has now become a national hero in Brazil.
There is so much around us to do with our environment, how we consume things, how people try and change things, and how big businesses get in the way. Chico’s story is universal, so the installation wants to show material from different people about other ways that these kinds of things happen in different parts of the world. We are especially interested in indigenous rights and issues for poorer communities. The exhibition will be called “Chamada From Chico Mendes” (“Chamada” means “a call to all” in Portuguese).
Kooj at Metaceptive Media was commissioned by First Cut to design and build the website for the HLF-funded ‘Nana Bonsu Oral History Project‘, which he has been working on for over 6 months beginning with a short training course he delivered in autumn 2013. Finally, the website has now gone live and will be officially launched at a vibrant event at Manchester’s Z-Arts on Saturday 21st June 2014.
Nana Bonsu, also known as Beresford ‘Berry’ Edwards, was of huge importance to Britain’s African community, especially in Manchester which became his home. This oral history project highlights his role in initiatives such as the Campaign Against Racial Discrimination, trade unions, social justice and equal opportunities. Nana’s work, committment and contribution is now nationally recognised by his inclusion in the list of 100 Great Black Britons.
Full details about the project and the event this Saturday are available from the website itself (of course!), at www.nanabonsu.com – please leave some comments on the site if you visit it, or send Kooj a message if you like.
Brian’s very recent and terribly tragic death is a loss to so many of us, he was a remarkable man and actor – probably the best I have worked with. I have now put the short film I directed, written by Peter Kalu and of course starring Brian Morgan, on to YouTube so its hopefully easier to find. (Up until now its only been on Vimeo). Here it is, hopefully a fitting tribute:
A short drama film which explores the abuse and haunting of the city, the daily struggle to maintain a shred of integrity amidst the pathetic cycles of people who need to run away and cover their tracks as the only way they can gain some control over their future.
These cycles are a mirror for Darryl Johnson, a black low-life private detective forever haunted by his previous abuse when in the army. He is addicted to his job specialising in finding other people’s children who have run away from home to escape their own hidden and secretive problems that threaten to engulf them. These sordid cases overlap with his own past, in a city where he is always painfully aware of the back-street disposability of all the characters he engages with. But there’s this case about a girl called Emma that gets to him, just one case too many, or maybe he just can’t hide from himself any longer…
Using an intelligent and driving narrative, “No Trace” explores issues around homelessness and pressures of the city with sensitivity and character.
Directed by Kooj (Kuljit) Chuhan Written by Peter Kalu
Produced by Kuljit ‘Kooj’ Chuhan & Linda Clarke
Camera – Stephen Wong Assistant Director – Mario Posada
Editing, Post-Production and Sound Design by Kooj Chuhan
Art Direction – Kooj Chuhan, Peter Kalu & Linda Clarke
Director of Photography and script-editing – Kooj Chuhan
Sound recording/boom – Simon Allott & Heather James
Make Up – Cindy & Chelcey Huxley Runner – David Beaumont
Darryl – Brian Morgan
Emma – Shauna Jackson
Jenny’s boyfriend – Karl Seth
Emma’s Dad – Raymond Dow
Jack – Anthony MacIntosh
Jenny – Karen Howarth
Emma’s Friend – Kimberley Glover
Street Guys – Chris Johnson & Jon Cockroft