World War One’s Hidden Voices: documentary and art in two parallel exhibitions

India, Africa, the West Indies, colonialism and recruitment, impacts of war and our ongoing culture of war explored in two parallel exhibitions under the title World War One’s Hidden Voices

World War One's Hidden Voices
The Poppy Retake (v3)
by Kooj Chuhan // From the Shadows of War and Empire by Southern Voices // #poppyretake

On show 7th December 2017 – 24th February 2018
at Manchester Central Library
(First Floor), St Peter’s Square, Manchester M2 5PD, UK // Opening times 9am-8pm Mon-Thurs and 9am-5pm Fri-Sat (Sunday closed) Tel. +44 (0)161 234 1983

OPENING NIGHT – 6th December 2017 5.30pm-7.30pm
including speakers Ahmed El-Hassan (Southern Voices) and Colette Williams (Mbari), plus live performance from Jaydev Mistry (music), Rani Moorthy (dramatised readings) and Kuljit ‘Kooj’ Chuhan (VJ projection) // First Floor exhibition from 5.30pm, then speakers and performance from 6.30pm on Ground Floor
Booking for this free event is strongly advised: www.hiddenvoicesww1.eventbrite.co.uk

MINI-CONFERENCE – 10th February 2018
thought-provoking talks, workshops, films and discussion for World War One’s Hidden Voices – full details to be announced www.metaceptive.net/poppy-retake

– – – – – – – –

The Poppy RetakeTHE POPPY RETAKE (v3)

…colonial narratives, spirits from the dead and video war games…

video art installation by Kooj (Kuljit Singh Chuhan) – new version

Modern war propaganda began with World War I which obscured its pointlessness and deep colonial connections, while pretending to be the ‘war to end all wars’. This artwork explores coercion into war, involving an African woman working for a war-themed park. She finds herself caught between colonial narratives, spirits from the dead and video war games.

Since the end of WWI we have seen numerous wars with the majority in regions once colonised. Modern video gaming is now the epitome of obscuring both the horror and the colonial roots of much conflict. The Poppy Retake suggests our multiple connections with wars as forms of cultural recruitment but which impact mostly on people from ex-colonies. It extends the perspectives developed in the documentary exhibition ‘From The Shadows Of War and Empire’.

www.metaceptive.net/poppy-retake

 

From the Shadows of War and Empire

documentary exhibition by Southern Voices

Few know about how European powers brought colonies into World War I, took resources from these countries and took the war to ‘fronts’ outside Europe. An exhibition which finally tells this major part of the story from the colonies’ point of view. We focus on India, the West Indies, German and British East Africa, and Nigeria – the British Colonies.

Did you know that the first and last shots of World War One by ‘British’ forces were fired not in Europe, but in Africa? Or that 1.5 million soldiers from India fought for the British? The exhibition examines the impact of 1914-18 on these selected colonised countries from the viewpoint of the colonised peoples themselves – their situation as colonies, the impact of the war on them and on anti-colonial struggles. Accompanied by ‘The Poppy Retake’ art installation by Kooj Chuhan, this exhibition gives us incredible context and information about World War One’s Hidden Voices.

www.southernvoices.org

World War One's Hidden Voices - funder logosWorld War One's Hidden Voices - funder logosPlease share via Facebook
www.facebook.com/events/1660602353990894

 

Progressive media: Poster Film Collective in the 80s and other online pieces

Selected posts by Kooj Chuhan during July or so on Metaceptive’s Facebook page :

Poster Film Collective progressive media in the 80s

Whose World Is The World by Poster Film Collective progressive media in the 80s. Any parallels now? http://poster-collective.org.uk/whoseworld/index.php
These posters were often in the youth clubs and community centres that we worked in, running creative, campaigning and discussion activities focused on anti-racist and suppressed historical ideas and knowledge. They gave a continuity in the environment that the people who used the building could continue to reflect on after the activities and workshops, in an immediate and visual way without too much text clutter. I really think we need this kind of stuff again in our physical environment, maybe the digital world makes us forget these possibilities?

Migrant crisis: tackle the cause and not the symptom?

The Chance Or Choice report suggests long term answer lies in foreign policy.
http://www.refugeecouncil.org.uk/latest/news/842_new_research_shows_asylum_seekers_do_not_choose_to_come_to_the_uk
A key paragraph from the report:

refugeeCouncil_chanceOrChoice_1426518702

ADDRESSING THE CAUSES OF FORCED MIGRATION
Given the strength of evidence on the underlying causes of asylum flows, policy efforts should focus on the root causes of forced migration (conflict and human rights abuse) rather than policies intended to prevent and deter asylum seekers from arriving. This will require joined-up policy making at the UK and EU level in relation to the promotion of human rights, humanitarian action, development aid and trade and investment (Castles et al. 2003).
Download the full report here: http://www.refugeecouncil.org.uk/assets/0001/5702/rcchance.pdf
A detailed read but it makes sense – unlike most of the media reports.

Colonialism, Africa, Sustainable Food, Environment

How did ‪#‎colonialism‬ affect sustainable food in ‪#‎Africa‬? ‪#‎WalterRodney‬ explains, connecting ‪#‎race‬ with ‪#‎environment‬. Essential for raising political and cultural consciousness.
http://www.walterrodneyfoundation.org/12th-annual-walter-rodney-symposium-biographies/

Exhibition by Shahidul Alam on indigenous women’s rights

Posters in the meeting room where Kalpana and her comrades used to gather. Khagrachori. CHT. Photo: Shahidul Alam/Drik/Majority World

Posters in the meeting room where Kalpana and her comrades used to gather. Khagrachori. CHT. Photo: Shahidul Alam/Drik/Majority World

Recent exhibition about Kalpana Chakma indigenous women’s rights activist in Bangladesh, by Shahidul Alam. Excellent!
Extract: “You had reminded us that a nation that fought oppression, could not rule by oppressing. That a people that fought for a language, could not triumph by suppressing another’s. That the martyrs who died, so we might be free, did not shed their blood, so we could become tyrants. That we who overcame the bullets and bayonets of soldiers, must never again be ruled through the barrel of a gun.”
http://www.shahidulnews.com/kalpanas-warriors – again, an example of artistic work towards cultural consciousness.

Murders of environmental activists in Brazil

Half the killings worldwide of ‪#‎conservation‬ ‪#‎activists‬ are in Brazil. Story of ‪#‎ChicoMendes‬ is inspiring http://www.theguardian.com/world/2013/dec/20/brazil-salutes-chico-mendes-25-years-after-murder   and vital to understand the continuing politics in Brazil today. Apart from this brief Guardian article I’d recommend reading the book “Fight For The Forest: Chico Mendes in His Own Words”.

Exxon-Mobil massively fund climate denial
Exxon-Mobil spent vast amounts of money over decades to promote ‪#‎climatedenial‬ . Can they be held to account? http://www.theguardian.com/environment/2015/jul/08/exxon-climate-change-1981-climate-denier-funding

Amnesty International on Israel’s civilian targets:
New forensic 3d modelling by Amnesty International shows Israel’s targeting of civilians in Gaza; tools for truth are always needed and this is a well put together media clip – good work.

https://www.facebook.com/ajplusenglish/videos/595303030611208

Black Women Matter:
100 years ago, Thomas Rutling was buried in Harrogate – he spoke out against the brutalities still endured by Africans in America after slavery. 100 years later & we are still speaking out – there must be hope for the future.
https://www.facebook.com/forharriet/videos/910802722299848

Does ‪#‎film‬ industry in UK have ‪#‎institutionalracism‬ rearing its ugly head? http://www.independent.co.uk/arts-entertainment/films/features/does-britain-have-a-problem-with-race-when-it-comes-to-film-distribution-10364511.html
Some important arguments put forward in this article.

Revolutionary poetry in Pakistan
Awarded ‪#‎LeninPeacePrize‬, twice nominated for ‪#‎NobelPeacePrize‬, imprisoned in Pakistan, spend time with Yasser Arafat during exile, was a journalist in Soviet Russia, married and English woman, wrote about African independence during a trip to Kenya… Faiz Ahmed Faiz, he was a revolutionary poet of huge stature. I think he really needs some wider recognition outside Urdu poetry circles. (see example video at https://www.youtube.com/watch?v=yRVEfc5zcoE)
https://en.wikipedia.org/wiki/Faiz_Ahmad_Faiz

Royal Family’s ties with Hitler and the Nazi’s are finally revealed.
http://www.theguardian.com/commentisfree/2015/jul/19/nazi-hitler-royal-family

Eye-opening video by the Quakers about the militarisation of schools, strongly related to national identity and foreign policy: https://www.youtube.com/watch?v=OgJ83yYIR1g

Silence Would Be Treason performance by Platform plus Footprint Modulation events weekend

Silence Would Be Treason / Footprint Modulation

performance, poetry, music, film event by arts-activists Platform on Sunday 28th June
+ weekend of events as part of the Footprint Modulation exhibition 27th-29th June
Justice campaign for Ken Saro-Wiwa; divestment from corrupt fuel; diaspora responses to climate refugees; miners and workers rights.  In partnership with the international conference ‘Human Migration and the Environment’ www.durhamconference.eu at Durham University

Silence Would Be Treason performance by PlatformFive events over three days 27th-29th June as a part of Footprint Modulation exhibition – art and interventions exploring climate change, global justice and human displacement www.footprintmodulation.net . Download PDF flyer-programme HERE .

SUNDAY 28TH JUNE (a great day out!)
7pm-11pm PERFORMANCE NIGHT: Oil, politics, poetry with a performance by Platform ‘Silence Would Be Treason’ and also Transition Durham – at EMPTY SHOP HQ
4.30pm-6.30pm DEBATE-DISCUSSION: Workers rights, migration, miners and climate change – at Miners’ Hall
2pm-4pm ARTIST PRESENTATIONS + DISCUSSION: Connecting migrant realities in the UK – at Oriental Museum

SATURDAY 27TH JUNE
2pm-4pm PANEL DISCUSSION: Art, Climate Change, Migration and Activism – at Durham Art Gallery

MONDAY 29TH JUNE
6.30pm FILM SCREENING + PANEL DISCUSSION: ‘EXIT’ film by Diller Scofidio + Renfro – at Appleby Theatre, Geography West Building, Durham University (free, but registration necessary at www.exitfilm.eventbrite.co.uk)

webcast-wendy-brown_sw+ LIVE WEBCASTS OF KEYNOTE CONFERENCE SESSIONS
29th June – 1st July

Selected keynote presentations will be webcast live! No special software needed.
http://metaceptive.net/footprint-modulation/webcast/

 

PREVIEW – Watch a short extract of the interview with Shahidul Alam on YouTube, right now:


  https://www.youtube.com/watch?v=pC8GOonSSjI

FULL DETAILS BELOW (incl. performance by Platform):

 

How to find Empty Shop HQ

All venues easy to find except Empty Shop, this photo should help.

PERFORMANCE NIGHT: Oil, politics, poetry with Platform and Transition Durham
https://www.facebook.com/events/1842905645935669/

Sunday 28th June, 7pm-11pm at EMPTY SHOP HQ  35c Framwellgate Bridge, DH1 4SJ  www.emptyshop.org
Silence Would Be Treason: Between Nigeria and here by Platform
20 years after Ken Saro-Wiwa’s murder and Shell still haven’t cleaned up. Campaigner Jane Trowell (Platform) and poets Sai Murray and Selina Nwulu encourage you to ‘get the Bus to Nigeria’ to force change to happen in this performance by Platform.
+ De-Oiling Durham by Transition Durham
Screening of a film documenting their work to reduce Durham’s oil and fossil dependency plus live poetry from Mika Laiho and a discussion about local activism.

AlexRandall+DaveDouglass_lessWide_swWorkers rights, migration, miners and climate change
Sunday 28th June, 4.30pm-6.30pm at Miners Hall  www.durhamminers.org
Provocative debate where Dave Douglass (trade unionist, miners historian and writer), Alex Randall (UK Climate Change and Migration Coalition) and others battle out their positions, incl. a guided tour of the art works on show at the Miners’ Hall.

Connecting migrant realities in the UK
Sunday 28th June, 2pm-4pm at Oriental Museum  www.dur.ac.uk/oriental.museum
Presentations and discussion by artists Maya Chowdhry, Tracey Zengeni, Mazaher and Apu Chowdhury incl. guided tour of the art works.

artworks on show at Miners' Hall, Durham

Above image: artworks on show at Miners’ Hall, Durham

Art, Climate Change, Migration and Activism
Saturday 27th June, 2pm-4pm at Durham Art Gallery  www.dlidurham.org.uk
Gallery tour, talks and discussion with artist Kooj Chuhan, Alex Randall (UK Climate Change and Migration Coalition), Janet Stewart (Director, Centre for Visual Arts and Culture) and Andrew Telford (climate change researcher, Geography Dept, Durham University).

Diller Scofidio + Renfro 'EXIT' hiresAdj_s‘EXIT’ film by Diller Scofidio + Renfro (USA): Screening + panel discussion
Mon 29th June, 6.30pm at Appleby Theatre, Geography West Building, Durham University
Digital film-art visualising climate migration data, a recognised key work addressing the theme.   Free public tickets available online at www.exitfilm.eventbrite.co.uk .  A part of the ‘Human Migration & Environment’ conference  www.durhamconference.eu .

Footprint Modulation exhibition continues to 5th July www.footprintmodulation.net .

Launch of Footprint Modulation – art exhibition exploring climate migration

FOOTPRINT MODULATION
An exhibition of art and interventions exploring climate change, global justice and human displacement across five venues in Durham, UK.
5th June – 5th July 2015 
www.footprintmodulation.net

FOOTPRINT MODULATION_horizontalPromoWide2text_750x184Exhibition Preview and Launch
Thursday 4th June, 6pm-8pm at Durham Art Gallery   www.dlidurham.org.uk

The preview evening’s gathering will include presentations by Kooj Chuhan (artistic director), Maya Chowdhry (co-producer), Dr Andrew Baldwin (Geography Dept, Durham University) and selected artists.  Launching an art exhibition exploring climate migration and displacement,  includes live poetry by Sai Murray, short screening + more to be announced…

You can join this event on facebook at https://www.facebook.com/events/1385392818458056/

The exhibition runs 5th June – 5th July 2015 at five venues:
DURHAM ART GALLERY / ORIENTAL MUSEUM / MINERS HALL / EMPTY SHOP HQ / DURHAM UNIVERSITY
+ Special Events Weekend 27th-29th June

Artworks and contributions from:
SHAHIDUL ALAM : PLATFORM (LONDON) : KOOJ CHUHAN : MAYA CHOWDHRY : MAZAHER : TRACEY ZENGENI : APU CHOWDHURY : TRANSITION DURHAM : DILLER, SCOFIDIO + RENFRO : UK CLIMATE CHANGE & MIGRATION COALITION : MIKA LAIHO : SAI MURRAY & SELINA NWULU : DAVE DOUGLASS : NIGEL HULETT : JUDY PRICE & ANDREW CONIO : GEOGRAPHY@DURHAM UNI

A Metaceptive project in partnership with the international conference ‘Human Migration and the Environment: Futures, Politics and Invention’ at Durham University 28th June – 1st July 2015 www.durhamconference.eu

Sai Murray to read some poetry at this event

Sai Murray to read some poetry at this event

An exhibition exploring climate migration:

Popular ideas of climate change rarely connect with migration even though migration is probably the largest human consequence of climate change. The creative work presented here moves on from often didactic climate-art approaches from a decade ago without ducking strong critiques, and harnesses fresh perspectives from migrants and global voices.

Artists and activists at all levels from internationally acclaimed to local and emerging, and from countries including Bangladesh, Zimbabwe, Iran, Brazil and Australia are involved in this exhibition exploring climate migration. Footprint Modulation culminates in a fantastic weekend of public performance, film screenings and discussions involving artists, activists, performers, community members and researchers, and which dovetails neatly into the final conference at Durham University.

Artistic director, curation and project management – Kooj (Kuljit Chuhan) of Metaceptive Projects and Media.
Collaborative research partner and conference chair – Dr Andrew Baldwin, Geography Dept, Durham University.
Artistic producer and transmedia consultant – Maya Chowdhry.

FootprintModulationLogoSpread_1000x321

Maria Benevides on Eco-Brazil, Chico Mendes, Forests and Water: live link confirmed

Maria Benevides on Eco-Brazil, Chico Mendes, Forests and Water

Maria Benevides

The exhibition opening for ‘Chamada From Chico Mendes’ will talk using live video with Maria Benevides on Eco-Brazil, Chico Mendes, Forests and Water on Saturday 28th February 2015 at Global Grooves Arts Centre (MAP).  This will bring some of the realities that people in Brazil are currently facing direct to the audience at the event, where the audience will be able to ask questions chaired by the poet Sai Murray who has worked for some years on issues of climate justice and is the MC for the event.

Chico Mendes, Forests and Water – the context for a digital art work

‘Chamada From Chico Mendes’ is a digital art work by Kooj Chuhan made up of art and documentary video, imagery, poetry and sound from across the world – full details at www.metaceptive.net/chamada . Visitors encounter a range of objects which they can play like instruments, which then spark off visuals, music and words from guest artists, film-makers and environmental activists.  Kooj describes it as an “exhibition within an installation” because of the wide range of material that the audience can view and interact with.

Its starting point is the powerful story of Chico Mendes, who was a Brazilian rubber tapper, trade union leader and environmentalist committed to protecting the Amazon’s ecosystem. He had opposition from industrialists and corrupt government officials, was jailed, fined and threatened, and just over 25 years ago he was eventually murdered but has now become a national hero in Brazil.  “Chamada” means a ‘call to all’ in Portuguese, and the exhibition is about other voices contributing their parallel experience to that of Chico Mendes.

During the evening event, which includes live performance, guided tour, poetry and food, Maria will talk to us live from Brazil and will discuss:

– What are the important issues for climate change in Brazil?
– How is Chico Mendes is understood in Brazil?
– What influence did he have?
– Which other people are doing that kind of work now?
– What are the difficulties right now for people doing this kind of work?
– How serious are the water shortages and what are the future issues that they raise?

If you can’t make it to the event, maybe because you are too far away, the event will be webcast live at 7.30pm GMT (UK time).  You will be able to watch it on ANY device that can play a YouTube video, and you will be able to type in any comments or questions live during the event.  The web address for the webcast is: http://metaceptive.net/chamada/live-webcast/ or directly from this YouTube page https://www.youtube.com/watch?v=ZRjDjx-TjE0 .

About Maria Benevides:

Maria Benevides is a Brazilian journalist working for NGOs, research institutions and think thanks on media relations and content production related to environmental issues. She has previously worked as a producer for the BBC World Service and the BBC Media Action in London.  She also acted as a UNHCR spokesperson in Angola, UNDP’s press officer in Brazil, IRIN’s editor in South Africa and Head of Communications for the British Embassy in Brazil. Her continuing interests are in green economy, sustainable development, the Amazon forest and the people living there.

video - legacy of chico mendes

Videos about Chico Mendes and Wangari Maathai now online:

There is a great video about Chico Mendes as told by his close collaborator Marcos Afonso now online:
http://metaceptive.net/chamada/chico-mendes/
. This is accompanied by an excellent article ‘Martyr of the Amazon: The legacy of Chico Mendes’ by Kate Evans / CIFOR, well worth the read.  “At first I thought I was fighting to save the rubber trees; then I thought I was fighting to save the Amazon rainforest.  Now I realise I am fighting for humanity,” Mendes famously said.

Also now online is a trailer for the film ‘Taking Root’ about Wangari Maathai, the activist who went on to become the first environmentalist and also the first African woman to win the Nobel Peace Prize (2004): watch it at http://metaceptive.net/chamada/register-to-attend/#taking-root .Taking-Root-Signature-image

The Forest Code Observatory

http://www.observatorioflorestal.org.br – Forest Code Observatory: This is a network of NGOs and institutions that joined to monitor the implementation of the new Brazilian Forest Code and Quartzo (Maria Benevides’ own company) has created and has been managing the contents of the website and social media since it was founded, two and a half years ago. Maria’s talk will touch on the work of this network.

Guest artists, film-makers and activists

This exhibition and project involves a range of contributions from across the globe. They include Sarawut Chutiwongpeti (Thailand), Badrul Alam and Bangladesh Krishok Federation, Heiko Thiele and Zwischenzeit e.V. (Germany), Marcella Haddad (Brazil), Shaikh Mohir Uddin & Rural Visual Journalism Network at Drik  (Bangladesh), Fuyumi Labre Lopez (Uruguay/Spain), Milda Lembertaite / Amelia Prazak (Lithuania/Switzerland), Victor Steffensen and the Living Knowledge Place (Australia), Nigel Hulett (Zimbabwe), Ali Pretty and Kinetika (UK), Marian Osman (Somalia) with ‘Democracy Now!’ (USA),  Maya Chowdhry (UK), Julia Davenport (UK), Jose Ignacio Lopez Ramirez-Gaston (Peru/Spain).  Selected media from these contributors will be watchable on extra screens in the exhibition.  Percussion loops produced by 17 young musicians from the Future Leaders carnival arts training programme by Global Grooves.  READ MORE ABOUT THE GUEST ARTISTS

Digital Art, Carnival, Environmental Activism and Documentary

‘CHAMADA FROM CHICO MENDES’

Digital Art meets Afro-Brazilian carnivalCHAMADA FROM CHICO MENDES combines Digital Art, Afro-Brazilian Carnival, Environmental Activism. Installation art by Kooj Chuhan.

Interactive Digital Carnival Installation by artist Kooj Chuhan, inspired by environmental activism stories from across the world – including Chico Mendes.
SPECIAL OPENING EVENTS SAT 28th FEB incl. Film Screening, discussion, Multimedia Music Performance, live Brazil link, interviews, poetry and free food! Full details: http://metaceptive.net/chamada/

at Global Grooves Centre until 21st March. 10 mins walk from Mossley station – just 20 mins train from Manchester, only £4 off-peak day return ticket! (MAP)

– 4pm: Film “TAKING ROOT: WANGARI MAATHAI” + discussion.

– 7pm: LIVE PERFORMANCE by Kooj/Holly/Leon, guided tour, poetry by Sai Murray, live link with Brazil environmentalists + Free Food!

FREE TICKETS at: https://chamada-from-chico-mendes.eventbrite.co.uk/

MORE DETAILS

A digital art work inspired by Brazilian activist Chico Mendes, made up of voices, imagery and sound from across the world. Visitors encounter a range of objects which they can play like instruments, which then spark off videos, music and poetry from guest artists, documentary filmmakers and environmental activists.  A pioneering attempt to combine Digital Art, Carnival, Environmental Activism and Documentary.

Wangari-Maathai-Taking-Root-Signature-image– 4pm-6pm: Film Screening “TAKING ROOT: THE VISION OF WANGARI MAATHAI” the activist who went on to become the first environmentalist and also the first African woman to win the Nobel Peace Prize (2004). Plus talk by Kooj exploring Climate Justice, incl. discussion chaired by poet-activist Sai Murray.

– 7pm: LIVE MULTIMEDIA – MUSIC PERFORMANCE, presented by poet Sai Murray plus guided tour of the installation and a live link with Brazilian environmentalists. Free food included!

– LIVE WEBCAST – if you can’t make the evening, watch the performance, interviews, Brazil link and Poetry online! Simply tune in from 7.30pm at:  http://metaceptive.net/chamada/live-webcast/

GG-drummingTHIS EVENT IS FREE, BUT ONLINE BOOKING IS STRONGLY ADVISED. REGISTER AT:
http://metaceptive.net/chamada/register-to-attend/

READ MORE ABOUT CHICO MENDES at http://metaceptive.net/chamada/chico-mendes/

GUEST ARTISTS: Kooj Chuhan invited artists and activists from across the world for media contributions to create a composite work from each person’s own parallel to Chico’s story, creating an ‘exhibition within an installation’ with Afro-Brazilian layers.
READ MORE ABOUT THE GUEST ARTISTS at http://metaceptive.net/chamada/guest-artists-and-activists/

Map for Global Grooves Arts Centre

Map for Global Grooves Arts Centre

Venue and Location: Global Grooves Arts Centre
Vale Mill, Micklehurst Road, Mossley, Ashton-under-Lyne OL5 9JL.
10 mins walk from Mossley train station.  Walk all the way up Micklehurst Road, find the mill via the last turning on the right before the end of the road.
Just 20 mins by train from Manchester Victoria station, costs only £4 for an off-peak day return ticket!

A project by Metaceptive Projects and Media in partnership with Global Grooves
www.metaceptive.net
www.globalgrooves.org

chamada-logoBannerOnWhite

Future Leaders – a new film by Kooj Chuhan / Metaceptive Media

A lively documentary profile of the inspiring national apprenticeship and training programme in carnival arts has just been released: Future Leaders – a new film by Kooj Chuhan / Metaceptive Media.  Anyone interested in arts, young people, communities, carnival, music, dance, visual arts, multi-cultural development and so on should find this interesting.

Full information about this fantastic arts programme which is run by Global Grooves is at www.futureleaders.org.uk .  Video created by Kooj Chuhan / Metaceptive Media.  [This video is also published on the Global Grooves YouTube channel where a lot more people have seen it – at https://www.youtube.com/watch?v=9B7uaoWYpcc ]

Includes an interview with Steve White – who was the drummer with the Style Council (Paul Weller) and other worthwhile bands.

Introductory information about Future Leaders

from their website:
‘Future Leaders’ apprentices (aged between 13 and 25 depending on the art form) will extend their practical skills in carnival arts based music making, dance, visual arts and drum kit, as well as gain project management experience, guided by leading artists and professionals in their field. Study opportunities include residential weekend workshops, business and project development, and CPD (continuing professional development), all cemented by distance mentoring from leading UK and international artists and practitioners, tutorials, and portfolio work.

Future Leaders - a new film by Kooj Chuhan  Future Leaders - a new film by Kooj Chuhan  Future Leaders - a new film by Kooj Chuhan

Interviewees in order of first appearance:
Holly Prest – Global Grooves Artistic Director and music tutor
Pareesha – visual arts apprentice
James – dance apprentice
Ali Pretty – artistic director of Kinetika and visual arts tutor
Oscar – music apprentice
Deanna – dance apprentice
Colin Spalding – artistic director of Rampage Mas and visual arts tutor
Stephen – visual arts apprentice
Dominic – music apprentice
Mariana Pinho – artistic director of Gandaia Arts and dance tutor
Farheen – music apprentice
Maisie – dance apprentice
Jon Hardeman – director of Grupo Ilu Axé and music tutor
Brian – parent of young arts apprentice
Simon – parent of young arts apprentice
Angela Chappell – Relationship Manager, Combined Arts at Arts Council
England
Steve White – leading UK musician and patron of Future Leaders
Eraldo Marques – Global Grooves Executive Director and music tutor

Filmed at the Castleshaw Centre (Delph), Livingstone Primary School
(Mossley) and Global Grooves Carnival Centre (Mossley)

Music Soundtrack taken with kind permission from performance by Jon
Hardeman, Grupo Ilu Axé, recorded live at Trinity Centre, Bristol, 2014.

All video production and editing by Kooj (Kuljit Chuhan) of Metaceptive
Projects and Media

Thanks to all of the participants, staff, volunteers, supporting
organisations, funders and individuals that made this possible.

In respectful memory of Mat Fox.

www.futureleaders.org.uk
www.globalgrooves.org

a Metaceptive production for Global Grooves.
www.metaceptive.net

Copyright 2014, Global Grooves / Metaceptive

ACE logo    Youth_Music_logo
global-grooves-logo_withMargin       metaceptiveLogo14p+m_2li_print_s

‘Doh Mix Meh Up’ Diaspora Art incl. Buy This v3 by Kooj Chuhan

On 1st Nov, ‘Doh Mix Meh Up’ Diaspora Art event and exhibition in Oxford explored Diaspora and Identity in Art, great work and a provocative panel discussion involving Dr Jennifer Langer, Sharelly Emanuelson, Dr Hélène Neveu Kringelbach, Sunil Shah and chaired by Alpha Abebe.  I especially felt Kringelbach’s presentation developed very well both the strength and difficulties of the diaspora role in relation to a post-colonial framework.

'Doh Mix Meh Up' Diaspora Art Oxford 1st Nov 2014 'Doh Mix Meh Up' Diaspora Art Oxford 1st Nov 2014

Featured artists include: Pablo & Roxana Allison, Raymond Antrobus, Phoebe Boswell, Rosa Couloute, Scarlett Crawford, David Creedon, Afra Dekie, Sharelly Emanuelson, JJ Bola, Justice in Motion, Belinda Kazeem-Kaminski, Lynette Letic, Caroline Molloy, Melissa Tandiwe Myambo, Miyuki Okuyama, Kajal Nisha Patel, Sharon Paz, Mikaela Toczek, Kooj Chuhan/Virtual Migrants and Clare Walter.

Curated by: Sunil Shah.

‘Doh Mix Meh Up’ is a one-day international art exhibition and performance programme featuring artists and artworks selected from an open call entitled ‘Exploring Diaspora through the Arts’. The event brings together artist works, photography, film, spoken word poetry, theatre and a panel discussion as a way of exploring the varied and multifaceted experiences of those around the world who have moved from home to make a new life elsewhere.

Diasporas exist globally and include people with layered and diverse experiences. Art provides a means to express these complexities and creates a platform for alternative narratives, which often challenge existing power structures. Art also invites the viewer to engage with these narratives at a personal level and interpret the subject for themselves. The range of media and creative approaches on show here are as diverse as the people and stories being told.

Buy This v3 video art installation a part of ‘Doh Mix Meh Up’ Diaspora Art

Of course, the exhibition included a presentation of video art by me, Kooj Chuhan / Virtual Migrants, titled “Buy This (v3)” on race-migration-climate issues which is itself detailed at this page: http://metaceptive.net/buy-this-v3-video-installation-art :

Buy This v3 video art by Kooj Chuhan at 'Doh Mix Meh Up' Diaspora Art Oxford 1st Nov 2014

 

Doh Mix Meh Up exhibition in Oxford presents video art by Kooj Chuhan

This weekend on 1st Nov 2014 the ‘Doh Mix Meh Up’ Exhibition in Oxford presents video art by Kooj Chuhan / Virtual Migrants, titled “Buy This (v3)” on race-migration-climate issues which is itself detailed at this page: http://metaceptive.net/buy-this-v3-video-installation-art .

The ‘Doh Mix Meh Up’ exhibition

Doh Mix Meh Up exhibition in Oxford presents video art by Kooj Chuhan

More info:

‘Doh Mix Meh Up’ – Diaspora and Identity in Art

https://www.facebook.com/events/649558785140456

A free one-day exhibition and performance programme exploring the role of the arts in understanding, expressing and experiencing diaspora.

1st November 2014, 3pm – 10pm

Panel Discussion:
‘Exploring Diaspora through the Arts’, 6pm

 Drinks reception, 7pm

Venue:
Old Fire Station,
40 George St, Oxford, OX1 2AQ

Featured artists: Pablo & Roxana Allison, Raymond Antrobus, Phoebe Boswell, Rosa Couloute, Scarlett Crawford, David Creedon, Afra Dekie, Sharelly Emanuelson, JJ Bola, Justice in Motion, Belinda Kazeem-Kaminski, Lynette Letic, Caroline Molloy, Melissa Tandiwe Myambo, Miyuki Okuyama, Kajal Nisha Patel, Sharon Paz, Mikaela Toczek, Kooj Chuhan/Virtual Migrants and Clare Walter.

Curated by: Sunil Shah.

‘Doh Mix Meh Up’ is a one-day international art exhibition and performance programme featuring artists and artworks selected from an open call entitled ‘Exploring Diaspora through the Arts’. The event brings together artist works, photography, film, spoken word poetry, theatre and a panel discussion as a way of exploring the varied and multifaceted experiences of those around the world who have moved from home to make a new life elsewhere.

Diasporas exist globally and include people with layered and diverse experiences. Art provides a means to express these complexities and creates a platform for alternative narratives, which often challenge existing power structures. Art also invites the viewer to engage with these narratives at a personal level and interpret the subject for themselves. The range of media and creative approaches on show here are as diverse as the people and stories being told.

‘Doh Mix Meh Up’ is delivered by the Oxford Diasporas Programme with support from Old Fire Station Arts.
The exhibition is curated by artist and curator, Sunil Shah.
It is supported by the Oxford Diasporas Programme and hosted by The Old Fire Station, aims to bring together artists, scholars, students and the general public to explore aesthetic manifestations and representations of diasporas, and reflect on what the arts contribute to diaspora studies. It also seeks to provide a platform for established and newly emerging artists to share, showcase, and sell their work.

The three winning entries for the ODP Photography Competition will also be displayed at this event.

Interactive Digital Carnival Installation – a call to filmmakers, artists, poets, environmental activists

[ see the updated info on this project at www.metaceptive.net/chamada ]

Connecting with environmental activism and climate justice, to be created by artist Kooj Chuhan, ‘Chamada From Chico Mendes’ will be driven by an open call for contributions of video, images, poetry, sounds, and anything that could work with the theme.

ChamadaFromChicoMendes_v1crop_800x250To view the OPEN CALL – please click HERE .  DEADLINE EXTENDED: Please contact us by October 31st 2014 to express your interest.

The artist Kooj Chuhan (UK / India) is creating an interactive digital carnival installation connecting Brazilian environmentalist Chico Mendes with environmental justice issues across the world. It will be made from audio and visual material from many people and it will use interactive objects and projections that visitors can actually ‘play’ like percussion.

The digital art exhibition will take place February 28th – March 21st 2015 at a new Carnival Arts Centre in Manchester (UK), run by Global Grooves.  We then intend to tour this installation to different galleries, exhibition venues and also public places including at carnival events.

What is the installation about?

The exhibition’s starting point is the powerful story of Chico Mendes, who was a Brazilian rubber tapper, trade union leader and environmentalist committed to protecting the Amazon’s ecosystem. He had opposition from industrialists and corrupt government officials, was jailed, fined and threatened, and just over 25 years ago he was eventually murdered but has now become a national hero in Brazil.

There is so much around us to do with our environment, how we consume things, how people try and change things, and how big businesses get in the way. Chico’s story is universal, so the installation wants to show material from different people about other ways that these kinds of things happen in different parts of the world. We are especially interested in indigenous rights and issues for poorer communities.  The exhibition will be called “Chamada From Chico Mendes” (“Chamada” means “a call to all” in Portuguese).

This is a video art project that links carnival vibes with environmental campaigns, driven by people and groups from different places.  Read more about Chico Mendes: www.theguardian.com/world/2013/dec/20/brazil-salutes-chico-mendes-25-years-after-murder .

There will be posts about this work on the blog as the project develops, and there is an Open Call to any Film-makers or Video Artists, or anyone with images or footage to contribute, at www.metaceptive.net/chamada-open-call .  The way to contact us about the project if you are interested to get involved is via the form at www.metaceptive.net/chamada-contact .

There is also a special invitation to members of the Future Leaders carnival arts training programme by Global Grooves, who can use the same contact form above.

A project by Kooj Chuhan & Metaceptive in partnership with Global Grooves, with support from Arts Council of England and Youth Music.

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