MINI-CONFERENCE World War I’s Hidden Voices and Poppy Retake exhibition

World War I’s Hidden Voices MINI-CONFERENCE
Saturday 10th February 2018, 1pm – 4.30pm
at Manchester Central Library (First Floor), St Peter’s Square, Manchester M2 5PD, UK    Tel. +44 (0)161 234 1983

Registration is strongly advised and completely FREE at https://conferencehiddenvoicesww1.eventbrite.co.uk

India, Africa, the West Indies, colonialism and recruitment, the impacts of war and our ongoing culture of war explored in a free afternoon conference.

Saturday 10th February 2018, 1pm – 4.30pm
at Manchester Central Library (First Floor), St Peter’s Square, Manchester M2 5PD, UK Tel. +44 (0)161 234 1983

This mini conference is a part of the ‘WWI’s Hidden Voices’ exhibition offering an afternoon of presentations and discussions offering the most critical perspectives on World War I in any current public forum. The speakers will expose the full extent of involvement from the British colonies in World War I, the impact the war had on those regions, its legacy for those countries and cultural representation of the war. Sessions include:

The West Indies join the War by Washington Alcott
Women’s Perspectives from East Africa by Susan Chieni Cookson
Cultural Representation of World War One and other wars by Kooj Chuhan
Teaching Hidden Histories in Schools by Dipali Das
Community Research from a ‘Southern’ Perspective by Southern Voices

PLUS: Live poetry by Naomi Sumner Chan www.brushstrokeorder.co.uk

The documentary exhibition ‘From The Shadows Of War And Empire‘ finally gives us a full picture of the vast involvement of people from colonised countries in World War One.  ‘The Poppy Retake‘ video art installation looks at how The Great War links with wider themes of war, colonialism, culture and coerced recruitment.  This mini conference is an afternoon of presentations and discussions with a range of speakers who will give us a deeper insight into some the themes from the exhibition.

The West Indies join the War
Washington Alcott, teacher and researcher specialising in African and Caribbean history, will look at the recruitment of West Indian soldiers to the global conflict and its impact on the islands.

Women’s Perspectives from East Africa
Susan Chieni Cookson, a Kenyan born high school teacher and lecturer who has a PhD in gender and education, will explore the impact of World War One on East Africa with the focus on women.

Cultural Representation of World War One and other wars
Kuljit ‘Kooj’ Chuhan, Indian-born filmmaker and digital artist, will look at some of the big arts projects that represent World War One, the influence of modern day media and how ‘The Poppy Retake’ came about.

Teaching Hidden Histories in Schools
Dipali Das, British Bengali writer and teacher, has been delivering workshops to primary school children based on Southern Voices’ World War One materials and will discuss her teaching experiences and outcomes.

Community Research from a ‘Southern’ Perspective
Southern Voices will present how they created this exhibition and the difficulties in getting the history ‘right’, plus examples of previous work.  They discuss why we need a ‘Southern Perspective’ at all?

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Mini-Conference flyerWorld War I’s Hidden Voices – an exhibition in two parts:
The documentary exhibition ‘From The Shadows Of War And Empire‘ by Southern Voices gives us a full picture of the vast involvement of people from colonised countries in World War One.
‘The Poppy Retake (v3)’ video art installation by Kuljit ‘Kooj’ Chuhan connects The Great War with wider themes of war, colonialism, culture and coerced recruitment.

On show 7th December 2017 – 24th February 2018

www.metaceptive.net/poppy-retake

www.southernvoices.org

 

 

 

 

 

Manchester World War I

Manchester World War I

Video Preview for Manchester World War I’s Hidden Voices incl. The Poppy Retake

‘The Poppy Retake’ video art installation by Kuljit ‘Kooj’ Chuhan is the focus for a new short film about the upcoming Manchester World War I exhibition titled World War I’s Hidden Voices which launches on Weds 6th December 2017 at the amazing Central Library building in the heart of Manchester.

‘The Poppy Retake’ is partnering with the extensive ‘From The Shadows Of War And Empire’ set of educational graphic panels by Southern Voices to create the exhibition, which runs from 7th December 2017 – 24th February 2018.  Key details below: Continue reading

The Gift Of India poem by Sarojini Naidu

Rani will dramatise a reading of the poem by Sarojini Naidu

Rani Moorthy

At the exhibition launch of World War I’s Hidden Voices (6th December – CLICK HERE TO REGISTER) the Manchester actress Rani Moorthy will perform a dramatised reading of a powerful poem reflecting on the effects of the First World War from an Indian and colonised country perspective.  She will be accompanied by musician Jaydev Mistry and also VJ projections by Kuljit ‘Kooj’ Chuhan.  The poem is by Sarojini Naidu and is titled The Gift Of India, written in 1915 while the war was ravaging.

The exhibition features The Poppy Retake art installation by Kooj Chuhan, the launch event will be on Weds 6th December from 5.30pm and the performance and speakers begin at 6.30pm.  More information at www.metaceptive.net/poppy-retake .  The event is free but registration is strongly advised at www.hiddenvoicesww1.eventbrite.co.uk .  #poppyretake

About Sarojini Naidu

Sarojini Naidu was a distinguished poet, renowned freedom fighter and one of the great orators of her time.  She was famously known as Bharatiya Kokila (The Nightingale of India) and was a prolific poet with over three books of published poems, highly praised by Rabindranath Tagore.  Sarojini Naidu was the first Indian woman to become the President of the Indian National Congress and the first woman to become the governor of a state in India. Continue reading

World War One’s Hidden Voices: documentary and art in two parallel exhibitions

India, Africa, the West Indies, colonialism and recruitment, impacts of war and our ongoing culture of war explored in two parallel exhibitions under the title World War One’s Hidden Voices

World War One's Hidden Voices
The Poppy Retake (v3)
by Kooj Chuhan // From the Shadows of War and Empire by Southern Voices // #poppyretake

On show 7th December 2017 – 24th February 2018
at Manchester Central Library
(First Floor), St Peter’s Square, Manchester M2 5PD, UK // Opening times 9am-8pm Mon-Thurs and 9am-5pm Fri-Sat (Sunday closed) Tel. +44 (0)161 234 1983

OPENING NIGHT – 6th December 2017 5.30pm-7.30pm
including speakers Ahmed El-Hassan (Southern Voices) and Colette Williams (Mbari), plus live performance from Jaydev Mistry (music), Rani Moorthy (dramatised readings) and Kuljit ‘Kooj’ Chuhan (VJ projection) // First Floor exhibition from 5.30pm, then speakers and performance from 6.30pm on Ground Floor
Booking for this free event is strongly advised: www.hiddenvoicesww1.eventbrite.co.uk

MINI-CONFERENCE – 10th February 2018
thought-provoking talks, workshops, films and discussion for World War One’s Hidden Voices – full details to be announced www.metaceptive.net/poppy-retake

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The Poppy RetakeTHE POPPY RETAKE (v3)

…colonial narratives, spirits from the dead and video war games…

video art installation by Kooj (Kuljit Singh Chuhan) – new version

Modern war propaganda began with World War I which obscured its pointlessness and deep colonial connections, while pretending to be the ‘war to end all wars’. This artwork explores coercion into war, involving an African woman working for a war-themed park. She finds herself caught between colonial narratives, spirits from the dead and video war games.

Since the end of WWI we have seen numerous wars with the majority in regions once colonised. Modern video gaming is now the epitome of obscuring both the horror and the colonial roots of much conflict. The Poppy Retake suggests our multiple connections with wars as forms of cultural recruitment but which impact mostly on people from ex-colonies. It extends the perspectives developed in the documentary exhibition ‘From The Shadows Of War and Empire’.

www.metaceptive.net/poppy-retake

 

From the Shadows of War and Empire

documentary exhibition by Southern Voices

Few know about how European powers brought colonies into World War I, took resources from these countries and took the war to ‘fronts’ outside Europe. An exhibition which finally tells this major part of the story from the colonies’ point of view. We focus on India, the West Indies, German and British East Africa, and Nigeria – the British Colonies.

Did you know that the first and last shots of World War One by ‘British’ forces were fired not in Europe, but in Africa? Or that 1.5 million soldiers from India fought for the British? The exhibition examines the impact of 1914-18 on these selected colonised countries from the viewpoint of the colonised peoples themselves – their situation as colonies, the impact of the war on them and on anti-colonial struggles. Accompanied by ‘The Poppy Retake’ art installation by Kooj Chuhan, this exhibition gives us incredible context and information about World War One’s Hidden Voices.

www.southernvoices.org

World War One's Hidden Voices - funder logosWorld War One's Hidden Voices - funder logosPlease share via Facebook
www.facebook.com/events/1660602353990894

 

The Poppy Retake at MMU Hulme Community Learning Festival

The Community Learning Festival 25th-27th July 2017 at MMU Brooks Building (Birley Fields Campus) is set up to celebrate the diversity of learning happening in the local area https://birleycommunityfestival.wordpress.com/ .  It includes a lot of consciousness-raising activities and possibilities for activism towards progressive goals.  The Poppy Retake installation is set up there in a compact version, supporting the talk by Southern Voices about Colonialism and WWI, and also Kooj (me) will be delivering a session about using video for community activism with references to The Poppy Retake installation.

The installation looks strong, here is how it looked yesterday (some components might be added today – trying to keep playful with trying things out here):

The Poppy Retake at MMU Hulme Community Learning FestivalThe Poppy Retake at MMU Hulme Community Learning Festival The Poppy Retake at MMU Hulme Community Learning Festival

 

 

 

 

 

More about The Poppy Retake at http://metaceptive.net/poppy-retake/

Remembering Jaya Graves

A year ago today, a dear friend of mine died of cancer.  She was old but not that old and youthful in spirit, her name was Jaya Graves who I will miss dearly.  Her death at the time was overshadowed by the far more devastating loss of my own son just 10 days earlier, and its taken me until now to put this all too brief post up.

I first met Jaya in the late 90’s as part of some activities supporting refugees and people seeking asylum in Manchester.  She later became involved on the management committee and then as occasional collaborator with the artists’ collective that I had founded, Virtual Migrants www.virtualmigrants.net and we used to meet at the Southern Voices office at St Peters House Church and Chaplaincy.

In 2003, while she was a member of the Manchester Museum Community Advisory Panel, I was commissioned to create a series of video works for permanent installation in the at that time new galleries being built, and one of the videos was of Jaya.  Here it is along with another two from the same series of videos.

There is more information about that project, titled Rekindle, at www.metaceptive.net/rekindle-interactive-museum-object-stories .

The more recent work on environment, climate change, race and migration was co-developed with her vital contribution, meeting at her house.  It was Jaya who suggested we call the project The Centre Cannot Hold, from the WB Yeats poem.  I valued our reflective, analytical, critical and good humoured chats enormously, as well as the ideas and knowledge she introduced me to.  We were good friends even though we only met occasionally, and I miss her.  I count her as an inspiration and influence on my work and my humanity.  May she be carrying on in the way she always did so well wherever she may be.

'Rekindle' Interactive Museum Object StoriesPS: Regarding my dear son Naseeb, mentioned earlier, I have not felt the need to put a post about him on this website since there is a memorial website dedicated to him already at www.naseebchuhan.wordpress.com .

 

Strong responses to The Poppy Retake at Z-arts: WWI’s colonial impact, the game of war today

The Poppy Retake at Z-artsA new video art installation The Poppy Retake at Z-arts Centre launched on 18th April to a diverse and appreciative crowd.  The main projection screen follows the story of an African woman (performed by Tracey Zengeni) working in a woodland park devoted to the theme of war.  Subtle clues suggest she herself has a refugee background. 
Objects from World War I draw her into an alternate reality of video games which she can’t control and which mix between playable wars and real wars.  Through a magical mirror, she meets her own spiritual alter-ego who tells her to escape before it’s too late, and also an elderly Sikh spirit who tells of the realities of World War 1 from an Indian perspective.  More about The Poppy Retake at www.metaceptive.net/poppy-retake .
A powerful accompanying set of graphic documentary panels were exhibited by Southern Voices, titled ‘From The Shadows Of War And Empire’.  They narrated the story of the contribution by and impact on the colonies from World War I.  More about this project at www.southernvoices.org/sv-proj .
There were thoughtful speeches by Southern Voices’ WWI project coordinator Kirit Patel, community researcher Washington Alcott, artist Kooj Chuhan, and a tribute to the late Deyika Nzeribe by his brother Ikem. There was poetry performed by Afshan D’souza-Lodhi, and finally a fantastic musical set by Serge Tebu (Keyboard) and Emmanuela Yogolelo (vocal) along with backing on bass and drums by Joe and Ephraim.

Words and poetry within The Poppy Retake at Z-arts

During the dramatic video sequence within The Poppy Retake at Z-arts Centre there are the words of soldiers from India and the West Indies during World War I taken from letters they had written, which are a part of drawing the main character into the war loop.  At the launch event, one particularly strong and relevant poem which was read by Afshan is as follows:
The Poppy Retake at Z-artsThe Gift of India
by Sarojini Naidu (India, 1915)
Is there ought you need that my hands withhold,
Rich gifts of raiment or grain or gold?
Lo! I have flung to the East and the West
Priceless treasures torn from my breast,
And yielded the sons of my stricken womb
To the drum-beats of the duty, the sabers of doom.
Gathered like pearls in their alien graves
Silent they sleep by the Persian waves,
Scattered like shells on Egyptian sands,
They lie with pale brows and brave, broken hands,
they are strewn like blossoms mown down by chance
On the blood-brown meadows of Flanders and France
Can ye measure the grief of the tears I weep
Or compass the woe of the watch I keep?
Or the pride that thrills thro’ my heart’s despair
And the hope that comforts the anguish of prayer?
And the far sad glorious vision I see
Of the torn red banners of victory?
when the terror and the tumult of hate shall cease
And life be refashioned on anvils of peace,
And your love shall offer memorial thanks
To the comrades who fought on the dauntless ranks,
And you honour the deeds of the dauntless ones,
Remember the blood of my martyred sons!

New version to be developed

This is the first showing of The Poppy retake at Z-arts, it will be expanded and developed further into a new version to be shown at Manchester’s Central Library for three months from December 2017 to February 2018.
The evening was dedicated firstly to Deyika Nzeribe and Jaya Graves, both of whom were members of Southern Voices and who died within the last year www.southernvoices.org .  Secondly Kooj dedicated The Poppy Retake at Z-arts to his son Naseeb Chuhan whose conscious attitude and cultural interests influenced the video art installation, who used to work at Z-arts, and who also died within the last year www.naseebchuhan.wordpress.com .   A big thanks to all who were involved and helped out, a list of credits is at www.metaceptive.net/poppy-retake .
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Video art and documentary exhibition connects wars, colonialism and games, focusing on World War I. Launches 18th April.

The Poppy Retake video art installation connecting wars, colonialism, gamesTHE POPPY RETAKE is a new video art installation by Kooj Chuhan with an alternative take on World War I by connecting colonialism and computer games with a systematic war culture.  The installation references the involvement of and impact on European Colonies by World War I and was supported by the experiences of the actor, Tracey Zengeni, herself having sought refuge in the UK.  Its going to premiere at the fantastic Z-arts centre gallery on Tues 18th April from 6pm, and will be on show there for nearly two weeks.  There are full details at www.metaceptive.net/poppy-retake including of the opening preview night.  Here is an introductory trailer for the work:

Essential details for The Poppy Retake:

at Z-Arts Gallery, 19-28 April 2017
335 Stretford Road Manchester M15 5ZA   0161 226 1912
Open daily 9am-9pm except Saturday 9am-5pm and Sunday closed

PREVIEW: Tues 18th April 6pm
Speakers: Susan Chieni, Kirit Patel and others / Poetry: Afshan D’Souza-Lodhi / Music: Serge Tebu & Emmanuela Yogolelo
FREE ENTRY but booking advised: www.poppyretakeshadows.eventbrite.co.uk

WORKSHOP + ARTIST’S TALK: Sat 22nd April 2pm – with Southern voices members, and the artist Kooj Chuhan
FREE ENTRY but booking advised: www.shadowspoppyworkshop.eventbrite.co.uk

Will wars ever end?  Was World War One’s ‘Lest We Forget’ a deluded slogan by Europeans  who endured enormous suffering yet ignored even greater calamities for their colonies?  Is war in fact the default future human addiction as global economics, culture and inequality spell more conflict forever?

The Poppy Retake is a new piece of video installation art by Kooj Chuhan which poses these questions.  The artist Kooj uses dramatic sequences of imagery that mix aspects of culture today, recent conflicts and refugees with world war one and the historical realities for people in previous colonies such as India, East Africa, The West Indies and Nigeria.

Who knows that the first and last shots of World War One were fired not in Europe, but in Africa?  Or that 1.5 million soldiers from India fought for the British?  The installation will be exhibited together with an extensive series of documentary history panels created by Southern Voices, titled ‘From the Shadows of War and Empire’.  In all this will present a unique exhibition taking an African and South Asian perspective on World War One and the role of the British colonies within it.

Art that can re-interpret, re-situate, connecting wars, colonialism, games

Kooj hopes to get people to shift from the usual and massive stereotypical icons of World War I and understand its part in the ongoing process that has got us where we are today, and how young people are influenced and co-opted into cynical acceptance of conflict yet remain oblivious to colonial histories and geopolitical power interests.  This war was fuelled by rivalry based much on competing colonial portfolios between European countries, and colonies were enormously affected in critical ways during and after the war.

However, Kooj is quick to point out that, “As an artist my job is not to stuff a load of history down people’s throats, but to draw out a human experience in simple and metaphoric ways that bring people closer to the underlying meanings and hidden agendas of the war.”

The Poppy Retake installation depicts a never ending loop which we can’t get out of, played out through a current character with a refugee connection from today.  The work is inspired by resistance to wars and colonialism in history especially the WWI period focusing on narratives that have often been suppressed such as schoolteacher John MacLean from Scotland who was instrumental in the Clyde revolts during and after WWI, or Indian revolutionaries such as Kartar Singh Sarabha, or the many women from East Africa whose families died from a famine made worse by European demands for resources to support the war. Within the installation we encounter hints of these people and events but we remain stuck in a continual loop of wars, games and colonialism which appears to have no end, driven along by a background tempo and video loops which play with ideas of nationalism, patriotism, dissidence, loss and war game videos.

Full details about The Poppy Retake and its connecting of wars, colonialism and games at www.metaceptive.net/poppy-retake

Historical Documentary Exhibition ‘From The Shadows Of War And Empire’ by Southern Voices

Alongside The Poppy Retake installation will be a set of educational panels titled ‘From The Shadows Of War And Empire’ created by Southern Voices about the issues around World War 1 from the perspective of the colonies.

2014 marked 100 years since the start of the World War One (WW1).  In a very real way, this was the first global conflict, with war between the European Empires drawing in well over 100 countries.

This project, supported by the Heritage Lottery Fund, examines the involvement of the British colonies (India, West Indies, Nigeria and East Africa) in WW1 and the impact the war had on those countries.  Southern Voices look at European imperialism, the devastating losses on the colonies’ own ‘home fronts’ and subsequent strengthening movements for self-rule and independence.

The impact and views of the people in the ‘colonised countries’ are either neglected or absent in commemorative events.  This exhibition provides a more balanced account of this global war than is commonly available or known and adds to the connecting of wars, colonialism and wider contexts.

Full details at www.southernvoices.org

Kooj Chuhan’s video art at Royal Geographical Society: ‘Buy This v3’

The Impact Of Diasporas is a day-long event on Thurs 17th September 2015, including Kooj Chuhan’s video art at Royal Geographical Society titled ‘Buy This v3’ alongside key seminar presentations and a set of other video art works all under the umbrella title ‘Doh Mix Meh Up.  http://www.migration.ox.ac.uk/odp/impact-of-diasporas-event.shtml

Buy This v3 - video installation art by Kooj Chuhan

Buy This v3 – video installation art by Kooj Chuhan

The event is the culmination and conclusion of two innovative, multidisciplinary five-year research programmes, generously supported by the Leverhulme Trust. It will showcase the work of these two programmes and celebrate their achievements.

It will have an academic focus with four themed panels: ‘Home and Away’; ‘Lost and Found’; ‘Coming and Going’ and ‘Remembering and Forgetting’. Both programmes will present research in the panel discussions and the audience will have the opportunity to engage in debate around these themes.

Alongside the event itself, there will be extensive displays of work from each programme in the form of project posters, photo-essays and publication displays; artist’s pieces from the Doh Mix Meh Up exhibit; and an exhibition by the Royal Geographical Society that will display a selection of their extensive archival holdings.

Buy This v3

Refugees and ‘third-world’ migrants bring with them intimate and undervalued knowledge about climate change.  ‘Buy This’ juxtaposes such voices on one screen against another, over-saturated with colliding imagery of wars, colonial struggles, environmental upheaval and UK racism, overlaid with scrolling news messages.

For more about the Buy This v3, see http://metaceptive.net/buy-this-v3-video-installation-art/

Doh Mix Meh Up

Continue reading

Progressive media: Poster Film Collective in the 80s and other online pieces

Selected posts by Kooj Chuhan during July or so on Metaceptive’s Facebook page :

Poster Film Collective progressive media in the 80s

Whose World Is The World by Poster Film Collective progressive media in the 80s. Any parallels now? http://poster-collective.org.uk/whoseworld/index.php
These posters were often in the youth clubs and community centres that we worked in, running creative, campaigning and discussion activities focused on anti-racist and suppressed historical ideas and knowledge. They gave a continuity in the environment that the people who used the building could continue to reflect on after the activities and workshops, in an immediate and visual way without too much text clutter. I really think we need this kind of stuff again in our physical environment, maybe the digital world makes us forget these possibilities?

Migrant crisis: tackle the cause and not the symptom?

The Chance Or Choice report suggests long term answer lies in foreign policy.
http://www.refugeecouncil.org.uk/latest/news/842_new_research_shows_asylum_seekers_do_not_choose_to_come_to_the_uk
A key paragraph from the report:

refugeeCouncil_chanceOrChoice_1426518702

ADDRESSING THE CAUSES OF FORCED MIGRATION
Given the strength of evidence on the underlying causes of asylum flows, policy efforts should focus on the root causes of forced migration (conflict and human rights abuse) rather than policies intended to prevent and deter asylum seekers from arriving. This will require joined-up policy making at the UK and EU level in relation to the promotion of human rights, humanitarian action, development aid and trade and investment (Castles et al. 2003).
Download the full report here: http://www.refugeecouncil.org.uk/assets/0001/5702/rcchance.pdf
A detailed read but it makes sense – unlike most of the media reports.

Colonialism, Africa, Sustainable Food, Environment

How did ‪#‎colonialism‬ affect sustainable food in ‪#‎Africa‬? ‪#‎WalterRodney‬ explains, connecting ‪#‎race‬ with ‪#‎environment‬. Essential for raising political and cultural consciousness.
http://www.walterrodneyfoundation.org/12th-annual-walter-rodney-symposium-biographies/

Exhibition by Shahidul Alam on indigenous women’s rights

Posters in the meeting room where Kalpana and her comrades used to gather. Khagrachori. CHT. Photo: Shahidul Alam/Drik/Majority World

Posters in the meeting room where Kalpana and her comrades used to gather. Khagrachori. CHT. Photo: Shahidul Alam/Drik/Majority World

Recent exhibition about Kalpana Chakma indigenous women’s rights activist in Bangladesh, by Shahidul Alam. Excellent!
Extract: “You had reminded us that a nation that fought oppression, could not rule by oppressing. That a people that fought for a language, could not triumph by suppressing another’s. That the martyrs who died, so we might be free, did not shed their blood, so we could become tyrants. That we who overcame the bullets and bayonets of soldiers, must never again be ruled through the barrel of a gun.”
http://www.shahidulnews.com/kalpanas-warriors – again, an example of artistic work towards cultural consciousness.

Murders of environmental activists in Brazil

Half the killings worldwide of ‪#‎conservation‬ ‪#‎activists‬ are in Brazil. Story of ‪#‎ChicoMendes‬ is inspiring http://www.theguardian.com/world/2013/dec/20/brazil-salutes-chico-mendes-25-years-after-murder   and vital to understand the continuing politics in Brazil today. Apart from this brief Guardian article I’d recommend reading the book “Fight For The Forest: Chico Mendes in His Own Words”.

Exxon-Mobil massively fund climate denial
Exxon-Mobil spent vast amounts of money over decades to promote ‪#‎climatedenial‬ . Can they be held to account? http://www.theguardian.com/environment/2015/jul/08/exxon-climate-change-1981-climate-denier-funding

Amnesty International on Israel’s civilian targets:
New forensic 3d modelling by Amnesty International shows Israel’s targeting of civilians in Gaza; tools for truth are always needed and this is a well put together media clip – good work.

https://www.facebook.com/ajplusenglish/videos/595303030611208

Black Women Matter:
100 years ago, Thomas Rutling was buried in Harrogate – he spoke out against the brutalities still endured by Africans in America after slavery. 100 years later & we are still speaking out – there must be hope for the future.
https://www.facebook.com/forharriet/videos/910802722299848

Does ‪#‎film‬ industry in UK have ‪#‎institutionalracism‬ rearing its ugly head? http://www.independent.co.uk/arts-entertainment/films/features/does-britain-have-a-problem-with-race-when-it-comes-to-film-distribution-10364511.html
Some important arguments put forward in this article.

Revolutionary poetry in Pakistan
Awarded ‪#‎LeninPeacePrize‬, twice nominated for ‪#‎NobelPeacePrize‬, imprisoned in Pakistan, spend time with Yasser Arafat during exile, was a journalist in Soviet Russia, married and English woman, wrote about African independence during a trip to Kenya… Faiz Ahmed Faiz, he was a revolutionary poet of huge stature. I think he really needs some wider recognition outside Urdu poetry circles. (see example video at https://www.youtube.com/watch?v=yRVEfc5zcoE)
https://en.wikipedia.org/wiki/Faiz_Ahmad_Faiz

Royal Family’s ties with Hitler and the Nazi’s are finally revealed.
http://www.theguardian.com/commentisfree/2015/jul/19/nazi-hitler-royal-family

Eye-opening video by the Quakers about the militarisation of schools, strongly related to national identity and foreign policy: https://www.youtube.com/watch?v=OgJ83yYIR1g